Proof Vampires Are Real

A few days ago, I read an article in Ars Technica about some archeologists who discovered the burial of a 10 yr old child in a 5th century Roman site in Italy. The child was buried with a rock in its mouth. This practice was done to keep the body from rising from the grave. It is believed the child died from malaria and the rock was to prevent the child from returning and spreading the disease.

picture by David Picked of Stanford University

The locals are calling this corpse the Vampire of Lugnano and is believed to be one of the more unusual preventatives to a body from rising and wreaking havoc like spreading disease to the living. It goes to the belief that vampires must be, might be, could have been, were believed to be, REAL.

I’ve studied this belief of, and in, vampires for over forty years and in every major civilization in every continent around the world. The legend of the vampire, or some version thereof, is deeply seeded in every culture with stories and legends, and makes one wonder if so many believed, why is the possibility of real vampirism also dismissed as a lie?

From the Ars article: QUOTE: Pretty much every culture on Earth has some version of a vampire (or proto-vampire) myth. Chinese folklore has the Jiang shi, [corrected] which are reanimated corpses that rise from the grave to prey on the living; one type has sharp fangs, the better to bite into the neck of said prey. Russian, Albanian, Indian, and Greek folklore have similar undead monsters. Russian villagers in the Middle Ages often drove stakes into the bodies of suspected vampires upon burial to keep them from rising again. UNQUOTE

Again, if so much is believed, then there must be some truth just out of reach. Other cemeteries have odd practices, and it is believed that the Romans even used witchcraft to spell the evil to stay within the bodies. However, burials with stones in the mouth is very eerie and uncommon and drew a great deal of attention to this excavation.

There was a previous discovery of a burial where a 16th century Italian woman was buried with a brick in her mouth. She was discovered in 2009 and the discoverers named her the Vampire of Venice. (Photo courtesy of National Geographic Television)

Archeologists learn a great deal about a civilization’s culture from the way they bury their dead. The dead do not bury themselves, therefore, how a people perceive death and the possibilities of what happens after death, are telling in these discoveries.

Again, I have to ask, with so many cultures afraid of the chance of rising from the grave, of a chance that vampires may be near, why are we so quick to scoff at such a fear?

VIVISEPULTURE

You know the English used to bury their dead with a rope in the coffin tied to a bell up above. If you woke and proved you weren’t dead, you pulled the rope and it rang the bell above. Truth was there weren’t any documented cased who were saved from suffocation in their coffins. But some of those buried rose without ever ringing the bell and families have told tales. And they were never found again. Thus buried alive, vivisepulture, was the precursor to vampirism. Embalming seemed to correct this problem. Still, families did dig up their family members to check to see if they were truly dead. Many did not go back into the ground. Why not?

Picture of Safety Cross, courtesy of Kimberly Bannister

I believe Vampires are real. There are too many cultures afraid to be less than the truth. 

If you are a writer and you want to give new life to a tired trope like the vampire, consider the realities of a culture and their long-held beliefs in superstitions. There is always a bit of truth in every legend. Find it and give new life to your stories. Every day there are new discoveries that give a twist to the vampire mythos. Make use of them, be inventive, surprise us. History certainly does, so why not you?

New life. Like the vampires. A Legend that will not die because they don’t.

Something to think about late at night. Perhaps while you write. Or read. Listen for the bells.

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Yours Between the Lines,

Sherry

Lost Gems of Character Development

We writers and authors spend an exhaustive amount of time learning our craft. You have to do it. There are so many technical aspects about writing which must be studied. You must learn about plots, scene and sequel creation, dialogue, monologues, internal dialogue, Point of View (POV), deep POV, grammar, punctuation, formatting, vocabulary, character arcs, style, genre, trends, world-building. Good grief the list is endless! And there are dozens of checklists, reminders, rule books, handouts, programs, spellcheckers– Holy Info Overload, Batman!

The learning must happen if we want to produce a quality story, chapbook, or novel. I know for me, there is a constant review of certain lessons with every novel, checking style and format, always improving vocabulary, looking to reinvent a master plot or character trope and always striving to be original in the process.

One thing I recently noticed in my writing, and in so many other books, is the missed opportunities for deeper character development. Great care is taken to showcase the golden flecks in someone’s eyes, the blue-black sparkle of hair, the limp, the bushy eyebrows, or the curl of smoke from a pipe. Delicious details offer insights to the vampire’s desires, the streetwalkers boots, the royal throne or the courtier’s waistcoat. Even the most intimate scenes offer description of the silky sheets, the sweat that runs down the chest, the sound of flesh against flesh.

All of these details are ones we’ve been told to add. We know we need to cover all the senses, preferably in every scene. We want the readers to see the people as clearly as we do. To feel and hear the swish of a gown on the stairs, to taste the burning heat of a rye whisky tossed back without thinking, we need the readers to follow us as we dodge around trains who vent steam and blare horns. We go to a picnic and treasure the dappled sunlight, swat the flies over the potato salad and our mouth water when we smell the fried chicken. These details are what flesh out every scene and give depth to our tales. 

What if I told you that you can do more, that you are missing one of the best treasure troves for letting the reader learn about your characters through what THEY find in your stories?

Sometimes deeper character development, and therefore hidden meanings or careful foreshadowing, even character secrets, comes from what isn’t directly said or carefully described. What about what surrounds the character in your story? Are you taking advantage of the character’s personal items that never change, that are personally offered and perhaps never addressed?

Let’s use my house and me as an example for what I mean. In every story, your characters live somewhere, whether its a tent, a mansion, an RV, or a brick and mortar home. In my case, it’s a ranch house. I don’t like stairs anymore because I have a bad knee (have had since I was in my 30’s). This character information which the one story house emphasizes. We’ll mark that as “Fodder.” 

Next, my kitchen. A great many families hang out in the kitchen. Activity thrives there. Look around. Everyone plants their flag, so to speak, in their surroundings. What’s on the counter that never changes? The wall? How about the refrigerator? Fodder! Here’s a pic of my refrig. There are things that never change and others that change with moods. Fodder! Do you see personalities reflected here? Look at the gold magnet or the retro magnet. How about the apron? 

We speak of the roaring fire by the wingchair or the mantle clock. What about the walls? The unchanging, personally decorated walls? Ah, more secrets of likes and dislikes! Look at this picture of my dining room. I have a deep love for Egyptian art. Did you know? You can learn so much from what people hang on the wall for permanent decoration. Secrets to their likes, dislikes or personalities. Let them be noticed.

I know we all enjoy reading about a character in their library. Big old volumes of books, shelves upon shelves, a footstool, a ladder, a cuppa tea and a late night read. But wait! There are nik-nacs, maybe china? Maybe bronze? Let’s look at a portion of my library. Oh my! The oddities abound. Statues and photos and hints galore. Most of these things do not change and reveal so much about me. Do you see the vampires or the dragons? How about the moon or the variety? So much fodder for a tale that reveals personality.

A home also offers insights into hobbies. Do you show a character’s pottery? Artwork? Greenhouse, perhaps? Do you know I like to take photographs? On the spare bedroom wall you find this framed piece, showcasing several photos. Mine. It speaks of some of my deepest loves. More fodder.

There is also a boom in contemporary fiction about professionals like the military, the doctor, the fireman or the cowboy. These people surround themselves with items that represent them or pieces that show something in their past that represents this profession. In my case, there are retirement cases for my husband and me, that showcase our years of military service. These can be the most personal mementos available. Fodder awaits!

Details are the decoration that gives a story depth and richness. Don’t miss out on a chance to provide unique depth to your characters by using the details that may never change. Understand and flesh out the things that make the characters real and you define them in a way that readers will relate to on a deep personal level. Oh look, your reader will say, she puts her daughters drawings on the fridge too. And she uses the magnet of her trip to Boston Harbor to hold it up. You know, the place where she spent her summers so long ago…

Fodder.

These are the lost gems that make the difference between good and great character development. Set your work apart by giving your readers whole characters they can never forget because in the end, the readers want more than anything to be those characters. Make it happen for them.

Thanks for coming by. Let’s make this a great month!
I remain as ever, Yours Between the Lines,

Sherry