I’m depressed. Yesterday was Mother’s Day and I miss my mom butt that’s not why I have the blues.

Two weeks ago I finished my latest book, The Gypsy Thorn. It’s a paranormal urban fantasy and a prequel novel to a new vampire series. The new series, The Evening Bower, will begin later this year (hopefully). So, you may ask, if I have a book in the can, why am I depressed?

Because the book is done. 

Sound silly? I suppose it may seem that way. I have written three books of poetry, one memoir, one photography book, and one urban fantasy. Now I have this new book and it will be published any day. Putting a book “to bed,” typing “the end” (figuratively), isn’t new to me and you may be saying, “why aren’t you celebrating instead of bemoaning?”

Let me explain and then maybe you’ll understand what I mean. With the photography and the poetry, I didn’t deal with a character. Yes, my poetry discusses a variety of “characters” but not a sustainable one, not one that has a complete substance.

With the memoir, the topic was me and I was happy when the book was done and published. I released me and it set me free.

With the urban fantasy, Midnight Assassin – A Tale of Lust and Revenge, I told a story that I new would continue. The main character – the vampire Drahomira – was due to return in the new book and so I didn’t feel as though I walked away from her or left her. I never felt that I ever left the story. Instead, Dra hovered near me as I wrote this new book where she is the driving force. Maybe you could say we got very close.

However, when I finished The Gypsy Thorn (GT), Drahomira’s work was done. She was the tool I used to prepare my readers for the series where Drahomira is not the main character. She is one of the important people (and will have her own off-shoot series) but she is not the character on which the series is based. And putting an end to GT closed the door on my favorite bad girl. Her voice stopped and I was alone. Hence the depression.

I hear from other authors and many experience this feeling. I haven’t given birth so I don’t know post partum depression though some have said that birthing a book is similar. It is my baby. Every single one is a labor of love and I give everything to it. I am told that this feeling of “letting go” is much like seeing your children move on, graduate, leave home, etc. I can’t speak to that, but I do feel sad to see it end. And I do miss her not being there to whisper in my ear.

As a result, I am hard at work on the next book. The new characters (introduced in Midnight Assassin and GT) are shyly stepping up and demanding my attention. New whispers fill my ear. But I did want to tell you how I am overcoming this lingering, last book sadness.

Book completions are both joy and sorrow. The joy is pride and a sense of accomplishment. There is no feeling in the world like finishing your story. The sorrow is finishing the story. As with any book I read, I feel satisfaction and a little sadness in ending. That’s the key. Ending.

I realized I needed to let go. I also realized I need not grieve! Nothing is over. The new story begins, and characters continue. Things are not done yet! There is more to tell.

And that is my answer to you. When you find yourself in a little bit of the blues, in sorrow of your book’s end, then begin anew. Take your joy in your success and reseed, regrow, renew!  Be happy and proud, congratulate and celebrate.  And hey, it’s okay to be blue.

To be sad is understandable but not to remain that way. Each author must find a way to move forward, and when you do, you will give birth to new exciting characters and new stories. But first, release yourself.

I’ve heard authors say, “I gave my all to that story. I don’t know if I have anything else to write about.” Pish posh. You need to let go! Blood renews itself. Mine did. Yours will, too.

Today I am nearly over being blue and excited about The Gypsy Thorn’s upcoming release THIS MONTH. Keep checking here and on my Facebook Author page for info.

And the new book, Time and Blood? Oh what a deliciously tangled web we weave! I’ll see you with this one in October.

Meanwhile, I hope your Mother’s Day was lovely and that you have projects you can sink your teeth into with joy and gusto. As for me, the vampires are calling and demanding my attention. And THAT makes me happy!

Thanks for stopping by and keep writing.
Yours Between the Lines,
Sherry

(Midnight Assassin cover by Robin Ludwig Designs)
(The Gypsy Thorn cover by Marisa-rose Shor of Cover Me Darling)

At a recent Writers’ Group meeting, we went around the table and introduced our work-in-progress, genre, and what we hoped to achieve in the group. There we were chatting about our “stuff” and I overheard one writer make a comment, “I realized my character went through the entire book and never changed clothes.” We all had a good belly laugh at this but then – you know me – I turned that into a discussion about what characters have to have or do to be relatable, for the story to actually live and breathe.

And yes, your character needs to change clothes. More, your characters should do what you do, eat, sleep, go to the bathroom, shower, drive, be ill, burn food, shovel snow, etc. There should be food and dining — sleeping, relaxing, sex (do not have to have scenes but couples do mention it), accidents, arguments — well, the list goes on forever.

The reason for these “life events” is twofold. First, these real events give truth to your characters (even ones on odd, new worlds). Second, they can be the catalysts for moving your story forward.

I am particularly aware of my “scenes” when I write. How do you show and not tell when your character is listening to others? Maybe it is in the food. Does it remind your character of something unpleasant? Maybe the smell of Lysol from the kitchen brings back a hospital stay, so your character cannot eat because the smell drives him/her from the room. Remember you don’t have to outline every nuance for your readers; hopefully the subtle meaning will be enough.

Everyone is good at sights and sounds. What about the way a person speaks? Are characters’ voices clearly understood? Maybe a drawl gives a false perception to your character that causes them to jump to conclusions or say something untoward to the other person. Let those things happen and suddenly you have a much richer moment and your character has character (good or bad). Church bells, car alarms, screaming, laughter — all are important aspects to character but can also move action forward with purpose, too.

Do you use touch in your moments? Perhaps the silk of a flower against a cheek or the rough skein or a woolen scarf in winter reminds a little boy of being wet and cold and scolded by his mother. Or a single finger tracing over a woman’s knuckle by a reticent lover enlarges her pupils. Often these activities tell more than any dialogue could. Use them to advantage and let the action explain the character (he was a romantic man is better understood through the touch of a rose to her lips).

Back to that character who never changed clothes during the entire book. Of course, the writer is going back to fix this, but when the fixing is happening, so much more will result because of the change! Nakedness can have an important voice (mind out of gutter now) for babies, surely, but for adults the bare necessity holds a myriad of possibilities. A dress chosen instead of a pantsuit by a pants-wearing character. A pair of jeans and a Henley instead of Mr. Wall Street’s usual Armani suit. Hmm, casual Friday, weekend getaway or…something more nefarious afoot? Maybe an allergy to silk can lead to murder or laughter. How you need to develop the tale can depend on how your clothes feel to your character. Maybe she changed her hose because it wasn’t her skin color or there was a hole in the sock.

Sometimes, the senses can let your character down, and you should allow it to happen. What about the guard dog that failed to pick up a critical scent, the speeding driver who didn’t hear the fire truck for the loud music in the car with the screaming pregnant woman in the back seat, the little child who holds a first dandelion (stares at it and promptly eats it), the plastic surgery gone awry and the moment a patient gets that first look? The failures can be critical too. Use them but use the sensory part of it to tell your tale. Don’t simply tell us about it. That’s so boring and not nearly as fun.

So, you ask, why didn’t the character change clothes? Did the writer lack the talent to do this? No, the writer spent more time on the surroundings instead of the intimacies of the character. The writer made a lush, active sci-fi world but forgot to let the character live fully within it.

That’s why you need to let your character use all the senses and become a real person. Change the clothes; maybe do the laundry. Notice the stinky socks. Your story will thank you for it and we, the readers, will be begging you for more stories that we can’t forget or stop reading.

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Coming in April, I’m going to do a series on understanding poetry. So be sure to tune in for a perspective that I promise you have not seen!

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I’M RUNNING A BAR/CLUB NAMING CONTEST!  Are you clever? I’m running a contest to find a very cool, not cliché, name of a vampire bar/club in New Orleans. This establishment belongs to my redheaded vampire Drahomira from my urban fantasy novella, Midnight Assassin – A Tale of Lust and Revenge.  There will be permanent name recognition to the winner and signed books too. Contest ends on March 19.  So ENTER HERE!  And Good Luck!  Winners will be announced on March 21.

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LOOK FOR A LIVE CHAT ON FACEBOOK COMING AT THE END OF THE MONTH!

As always, thanks for dropping by. Leave a comment and say hello.

Yours Between the Lines,
Sherry

November 15 is the middle. It is the midpoint of National Novel Writing Month (NaNoWriMo). The middle of November is when sports teams begin assessing their players. Mid November is when teachers prepare tests and look at grades. November 15 promises that Oreo cookie fans may customize packages online (you can Google that). So much happens at the middle. Just ask the “middle” child.

The middle always annoys us.

• “Can I call you back? I’m in the middle of something…”
• “I don’t know what happens! I’m only in the middle of the book.”
• “The middle of the race is brutal. Get ready to hit ‘the wall.’ “

We speak of being in the middle of a mess, the middle child, the middle class, the middle mind, middle age, middle school, middle income, and we always meet up in the middle.

That’s why it’s interesting when writers speak about the – with homage to Jim Butcher – the Great Swampy Middle of their novels. The GSM (for short) is where plots get lost, characters wander off course, the bones of dead and confused are left behind and writers almost always give up. And that is the challenge, to make your way through the Great Swampy Middle and do so without losing the point.

Whether it is your life, or your novel, the GSM can be scary. It’s expansive and full of darkness. Lots of potholes and cliffs. Mountains to climb and sharp things to be avoided. And there are a few simple things that get you through it, safely.

1. Focus. Do not deviate from your path. Whether you are in middle age, middle of the book, middle of the race, you must keep your focus. Otherwise you will veer off course and lose your way, like so many before you.
2. Understand. The middle is necessary. Nothing is achieved by starting and finishing without something happening in the middle. Simply accept that this is how things go and don’t fear it. Necessary means ordinary. Make it less scary that way.
3. Believe. In yourself. Don’t make excuses. Don’t look for a way out. The best way is always through, said Robert Frost (shortest too). Know that you will succeed and you will. It is a self-fulfilling prophecy. When you believe you can, obstacles are smaller. And so is that Great Swampy Middle that looked so immense when you initially began your project, your life, your race, your novel.

I’m participating in NaNoWriMo and I’m deep in the GSM. It feels a bit daunting to be here in a new story but I’m making the trek with purpose and having fun along the way. I have moments of self-doubt and then I ask myself, why? I didn’t doubt when I hit middle age. I’ve never flinched in the middle of anything. So why would I in the middle of writing a novel?

One answer explains it all – fear of failure. Racing, writing, reading, working, living. We fear failing.

Want the truth? The only true failure is the quitter. And that’s not you. And it’s not me. So, Keep Pushing on (Thanks REO Speedwagon) and the GSM will become a memory.

To all the middle children out there, I empathize. I’m first born. Failure is not an option. I’m an Aries, I barrel through. I’m a person, I perservere. I’m a writer.

Do I blanche? No! I am fearless.

Be fearless. Welcome to the Middle. Follow me….

Yours Between the Lines,
Sherry

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****The following items will always appear to keep you posted on activities.*****

WIP (Works in Progress): 
– first novel in the Evening Bower series, about vampires and other supernatural creatures
– fictional memoir
– four-part fairy story

On the Desk: (next reading): Second Olympus by K.A. Stewart

Off the Desk (book just finished): Rogue by Karen Lynch

Coming Soon:  Book Recs, Thanksgiving Musings, and a new Guest Editorial