BE A HERO AT VILLAINY

Lately I’ve been writing about characters, what makes them work and how to do them better. I’ve looked at the hero and anti-hero and we’ve examined how to write more depth and give our characters the real touch.

But what about the villains, the real antagonists, the truly bad guys (and gals)? (For our purposes here, I will refer to the bad guys as “he” or “they” and that is NOT meant to exclude the most terrific evil villainesses!).

What makes the reader love a villain? Is it the clothes? The style of your writing? The weapon he uses? Is it the POV or the struggle of his character? What’s the secret to a writing your best?

We writers are told to make characters relateable but how do we do that and make a villain seem true?  Some suggest that it’s good to use shame or guilt to inspire turning to the “dark side.” Using the character’s foibles against him makes a good backstory but doesn’t endear the character per say. Their personal journey into darkness is interesting but that alone will not keep me with him.

It’s the STORY and the one issue that motivates and drives the story that makes me go with an author to the dark side. What I can relate to is a problem and how the bad guy intends to solve it. The hero and the villain will tackle the problem differently and independently (most likely) and I am going along with each because I NEED to know how it works out and who does the best job.

Yes, I want to feel their pain but I don’t want to know why the pain matters. I want to be where they are, when they are. Then I will have empathy or sympathy, or even delicious hatred (as the author molds me). Why the pain exists isn’t as important as what the villain intends to do about it.

I’ve written about making characters real by using dialogue that feels authentic. You do that in character mistakes. Yes, your villain’s limitations are interesting but so are their screw-ups and their obstacles. When they mess up, they are suddenly human, and we FEEL for them, even when we know they are the bad guy.

We cheer for a villain who won’t go down. We love to hate the clever, the sneaky, the witty, the nice ones who can also be very mean. Most of all, we love their stories because they mirror the struggles and mistakes of the protagonist. They share the same goals. Different purpose. Different reason. Same desire. Different use of it. Think of when a bad guy and a good guy have a bonding moment (or a m/f relationship). They may share the same outlook or same desire, but the reason for their want is what makes the story hum. 

As American author Chuck Clousterman said, “The villain is the person who knows the most but who cares the least.”

Remember that most coaches and teachers will tell you that the villain IS the story:

• A murder isn’t about death. It’s about the mystery of it, the whodunit and why the villain hid it.
• A theft isn’t about the stealing. It’s about the reason, the need to steal. Whodunnit certainly but how. We need to know why yes, but more important is what happens next because of the theft?
• Do we always need a happily ever after? No, because real life doesn’t work that way and villains can keep us coming back because we’ll HOPE to find it and we’ll be nodding our heads when it doesn’t happen. 

We hear a great deal about the villains “moral dilemma” and this is the choice the villain made and why he must continue doing what he does or has planned. THIS is what separates the villain from the protagonist and why the villain is the most important character.

Most of all, I think most villains don’t see themselves as the “bad” guy. They are only doing what they think they are forced to do for personal, professional, or moral reasons. This is their whole reason for being.

Villains then are the most necessary, the most dynamic, and the whole reason for the story.

Look for darkness around the corner. Turn out the lights and create the drama. Make the reader – and me – believe in the darkness and we will become your villains “frenemy,” fall in love when the lights go out and, though I hope the good guys win, I can be convinced to be content when they do not.

Villains forever! Make yours work and you will be a reader’s hero of villainy.

Thanks for stopping by.
I remain, Yours Between the Lines,
Sherry

Are You Writing Naked Salad?

I’ve been on a “writing characters” kick of late, probably because I’m neck-deep into finishing my latest novel. I’m busy tweeking each character, making sure I keep them fully fleshed and that each one has a unique flavor, or voice.

I’ve also been binge-watching an old television show called Leverage. It was on TNT from 2008-2012. The story centers around an ensemble cast of high-tech misfit crooks who steal from other crooks to get satisfaction for wrongs done by the wealthy and corrupt. They come together for just one job, then they come back together again (and stay together) to continue doing good work. It’s sort of Robin Hood and Equalizer meets Oceans 11 on Mission Impossible with a MacGyver. In other words, it is the best many worlds in one.

What is endearing about the show, more than the stories, are the characters. The main crew includes a thief, a grifter, a hitter (he hits, really, and hates guns), a hacker, and a mastermind (who didn’t start out being any sort of a criminal). All of these characters do what law-abiding people cannot.

In other words, they are anti-heroes.  The whole lot of main characters are pseudo villains! And the real villain in the story is actually a good guy! It’s clever and unique and I’m completely mesmerized by the brilliance.

Each episode provides a good lesson in plot while showcasing character insecurities. The show highlights how who they are indirectly brings together a group of dysfunctional people into a highly functioning team.

A lot like salad. Naked salad versus gourmet salad.

Salad?? How’s that, you ask? Think of each character in a story is like a part of a salad. Each “mark” in Leverage is a separate plot or a big bowl of lettuce.  But do you want a naked bowl of lettuce? Do you write naked salads?  Of course not. That’s dull and boring.

You add tomato for freshness and a bit of acid. Have to keep things from getting too sweet.
You add mushrooms for that earthy feel, that touch of reality.
Add some onions for a sharp bite, a bit of spice and frustration for characters (not to mention heartburn because it keeps characters from getting complacent).

Maybe add some egg for a solid plan or bacon bits for innovation. Add meat for flavor. Your choice of turkey, chicken, sausage or fish. Always use what’s available locally. Saves the team money.
Add carrots, cucumbers, zucchini based on habits and genre.
Bored? Add white asparagus or hearts of palm for Mediterranean or island flavors. Every team needs a challenge on vacation.
Then dress your salad in Italian, Russian, Spanish, French, or Danish blue sauce to seal that travel element.

And voila! A salad – a story – worth sinking your teeth into, something full bodied, with character and unique qualities.

Too normal? Change out the lettuce for spinach. Add warm nuts (a crazy character can be load of fun), and orange wedges (children add interest), and use oil and vinegar. Nothing like two characters not blending like oil and vinegar to make a delicious conflict.

You don’t want a naked salad. You want a bowl filled with goodies, something with diverse flavor, or characters appealing to your palate and maybe others, too. Something dressed to….kill? Charm? Excite?

In the end, characters, like the ingredients in a good salad, are what keep naked plots and naked salads from being boring and turn them into challenging delights, worth your time and effort.

Oh and I have one tip — add spicy applesauce for dessert. Makes for a great cliffhanger!

Now, I have to get back to my salad, um, I mean my characters. Remember I have a new book coming out the end of October, my paranormal fantasy called, TIME AND BLOOD. I promise it will be a tale with a healthy bite.

Thanks for stopping by and keep writing! And if you get the time, take a peek at Leverage. I think you’ll enjoy the gourmet salad (it’s on Netflix).
Yours Between the Lines,
Sherry

ARE YOUR CHARACTERS REAL TO THE READER?

I’ve been on a character-defining kick of late. You can see my latest Fireside with the Phoenix chat video here and watch me go nuts as I show you how to examine your character for real features. (You can also see how I screwed up and forgot to allow my phone to auto rotate!). I like characters that seem real, even if they are supernatural or alien. Characters that have “issues” and quirks are some of the most fun.

Here’s a question I posed a few years ago: What’s your Quirk?

I have a thing about sitting with my back to a front door when in a restaurant or anywhere that has people moving in and out. Comes from my father who served in the military, was a crew chief in Korea, and who didn’t like the idea of anyone “sneaking up” on him. I came to see the value in this philosophy and, also having served in the military, I saw it as a smart defensive posture. This philosophy is a permanent part of me. I act on it without thinking. I can sit sideways to the door though this will make me a little uncomfortable. This is my quirk.

A friend of mine claims she isn’t superstitious but when she sits down to eat, she always turns her spoons upside down so that the hump faces up. When I asked why, she shrugged and said, it was something she started as a kid. Her grandmother told her that bad luck settles in the cracks and bowls. She would rather not consume any bad luck or bad karma, so she turns her spoons upside down. Quirky.

Do you have a little quirk that makes your friend smile? (or wince?)

When we read books, the characters that stand out to us have characteristics that become classic or are indelible. We remember things that are original as well as beautiful or classic. Iconic characters have physical characteristics that are memorable, sayings that are endearing or catchy, and habits that make characters easy to understand.  And when they are quirky, well, that can make us smile and laugh because their foibles or quirks are ours!

From biting the nails, to turning spoons upside down, to the cop who can’t sit with his back to the door, the quirk is what makes the character real. Think of Ron Weasley from Harry Potter and his ratty, second-hand clothes. Think of an evil villain who whistles just before he kills. Think of Scarlet O’Hara who procrastinated with “tomorrow is another day.” Are your characters stereotypes?

Are your characters imbued with quirks that can make them seem more real or endearing? Do they do things that make us smile and laugh or want to scream, “run!”  as we read?

Switch things up. Take one of your characters and change them. I call it “re-coloring.” Not just skin, but qualities and emotions, motives and emotions. Make them different. Lose the stereotypes. Forget the norms. How do they change?

Do yourself a favor and look at your character sheets. Find ways to add a quirk, something unique. If you do, you will give your book flavor and the character will become more three-dimensional for it. Those are the characters we want to know. They will be the characters we remember long after the last page.

Just like my friends who make room for me so I don’t have to sit with my back to the door. Quirky. But they remember!  I try to make my characters memorable not because they are perfect. But because they aren’t and that makes them real.

How about you — are your characters REAL or just pretending? We might only pretend to like them if that’s the case.

Thanks for stopping by! Tell me what you thought of my video, if you would. And tell me how you develop your characters into real people.

I remain,
Yours Between the Lines,
Sherry